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[Ota Fine Arts Singapore] YAYOI KUSAMA: RECENT PAINTINGS

Past viewing_room
SAT. 16 JANUARY - SAT. 6 MARCH 2021
  • Ota Fine Arts Singapore is delighted to present “YAYOI KUSAMA: RECENT PAINTINGS”, a solo exhibition featuring 15 monochrome paintings from the artist’s My Eternal Soul series made in 2019-2020, and CLOUDS (2019), a sculpture installation consisting pieces of mirror-finished stainless-steel forms. This will be Kusama’s first solo presentation in Singapore since her last large retrospective at the National Gallery Singapore in 2017. All works in this exhibition will be shown for the first time in Southeast Asia. The exhibition runs from 16 January to 6 March 2021.

     

  • Installation view: "YAYOI KUSAMA: RECENT PAINTINGS", 2021, Ota Fine Arts Singapore (Larger version of this image opens in a popup).
    Installation view: "YAYOI KUSAMA: RECENT PAINTINGS", 2021, Ota Fine Arts Singapore (Larger version of this image opens in a popup).
    Installation view: "YAYOI KUSAMA: RECENT PAINTINGS", 2021, Ota Fine Arts Singapore (Larger version of this image opens in a popup).

    Installation view: "YAYOI KUSAMA: RECENT PAINTINGS", 2021, Ota Fine Arts Singapore

  • In 2018, Kusama started working intensively on a series of 100 x 100 cm paintings. Subsequently in 2019, she began...

    Yayoi Kusama, YOUTH HAS ARRIVED, 2019, Acrylic on canvas, 100 x 100 cm 

    In 2018, Kusama started working intensively on a series of 100 x 100 cm paintings. Subsequently in 2019, she began making these paintings in monochrome. Unlike other paintings of the same series which are usually covered in bright, vibrant colours, these works feature bold black lines that envelop the canvas together with her wealth of varied motifs: eyes, faces, biomorphic shapes, nets and dots. 

     

    These recent paintings synthesize contrasting concepts and forms of positive and negative spaces, figuration and abstraction, microscopic and macroscopic views of the universe. Non-uniformed brushstrokes have left some parts of the canvas untouched by black paint and the resulting white spaces create a shifting movement and flow. Unknowingly, viewers are swept up in a dynamic and voluminous energy.

  • With titles such as ALL OF MY LOVE FOR HUMANITY (2019) and LOOKING INTO THE UNIVERSE FROM MY HEART (2019),...

     Yayoi Kusama, MILLIONS OF HOPES FOR LOVE, 2019, Acrylic on canvas, 100 x 100 cm 

    With titles such as ALL OF MY LOVE FOR HUMANITY (2019) and LOOKING INTO THE UNIVERSE FROM MY HEART (2019), these paintings provide a glimpse into Kusama’s current state of mind. Her works are infused with reflections on love, death, humanity and her relationship with the universe and beyond. 

     

    As Kusama delved into the aesthetic potential of the monochrome, her restraint use of a limited palette brings to focus the form that she depicts and the strength of the motifs that has continuously appeared in her work over the past decade. Created at the tenth year mark of her My Eternal Soul series, they force a review on the way we look at and approach this series.

  • In CLOUDS (2019), stainless steel cloud-like shapes surround the floors of the gallery. They echo, reflect, and complement the lines... In CLOUDS (2019), stainless steel cloud-like shapes surround the floors of the gallery. They echo, reflect, and complement the lines... In CLOUDS (2019), stainless steel cloud-like shapes surround the floors of the gallery. They echo, reflect, and complement the lines... In CLOUDS (2019), stainless steel cloud-like shapes surround the floors of the gallery. They echo, reflect, and complement the lines... In CLOUDS (2019), stainless steel cloud-like shapes surround the floors of the gallery. They echo, reflect, and complement the lines...

    In CLOUDS (2019), stainless steel cloud-like shapes surround the floors of the gallery. They echo, reflect, and complement the lines in Kusama’s paintings, creating at once an expansive yet immersive atmosphere that allows for imagination beyond the walls of the gallery. Here, Kusama’s interest in reflection, repetition and accumulation is exemplified.

     

    As Yayoi Kusama continues to expand her creative vocabulary, this exhibition in Ota Fine Arts Singapore is exemplary of her continuous innovation, uncompromising vision and compelling charm that captivates people all around the world. 

     

    • Yayoi Kusama PEOPLE ON THE EARTH THAT I LOVE, 2019 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      PEOPLE ON THE EARTH THAT I LOVE, 2019
      Acrylic on canvas
      100 x 100 cm
    • Yayoi Kusama ALL OF MY LOVE FOR HUMANITY, 2019 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      ALL OF MY LOVE FOR HUMANITY, 2019
      Acrylic on canvas
      100 x 100 cm
    • Yayoi Kusama LOOKING INTO THE UNIVERSE FROM MY HEART, 2019 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      LOOKING INTO THE UNIVERSE FROM MY HEART, 2019
      Acrylic on canvas
      100 x 100 cm
    • Yayoi Kusama WHEN I DISCOVERED THE SIGNPOST TO ETERNAL LOVE FOR HUMANITY, 2019 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      WHEN I DISCOVERED THE SIGNPOST TO ETERNAL LOVE FOR HUMANITY, 2019
      Acrylic on canvas
      100 x 100 cm
    • Yayoi Kusama I FINALLY REACHED GOD AT THE END OF THE UNIVERSE, 2019 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      I FINALLY REACHED GOD AT THE END OF THE UNIVERSE, 2019
      Acrylic on canvas
      100 x 100 cm
    • Yayoi Kusama I WANT TO TALK ABOUT EVERYTHING IN THE UNIVERSE, 2020 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      I WANT TO TALK ABOUT EVERYTHING IN THE UNIVERSE, 2020
      Acrylic on canvas
      100 x 100 cm
    • Yayoi Kusama SEEKING FOR LOVE OF HUMANITY, 2019 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      SEEKING FOR LOVE OF HUMANITY, 2019
      Acrylic on canvas
      100 x 100 cm
    • Yayoi Kusama I BECOME A STONE NOT IN TIME ETERNAL BUT IN THE PRESENT THAT TRANSPIRES, 2019 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      I BECOME A STONE NOT IN TIME ETERNAL BUT IN THE PRESENT THAT TRANSPIRES, 2019
      Acrylic on canvas
      100 x 100 cm
    • Yayoi Kusama YAYOI KUSAMA TO MICHELLE OBAMA, 2019 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      YAYOI KUSAMA TO MICHELLE OBAMA, 2019
      Acrylic on canvas
      100 x 100 cm
    • Yayoi Kusama STAIRWAY TO HEAVEN, 2019 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      STAIRWAY TO HEAVEN, 2019
      Acrylic on canvas
      100 x 100 cm
    • Yayoi Kusama WALKING IN THE WORLD OF DEATH (AFTERLIFE), 2019 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      WALKING IN THE WORLD OF DEATH (AFTERLIFE), 2019
      Acrylic on canvas
      100 x 100 cm
    • Yayoi Kusama CALLING FROM THE SKY, DOUBTLESS, TRANSPARENT IN ITS SHADE OF BLUE EMBRACED WITH THE SHADOW OF ILLUSION CUMULONIMBI ARISE SOUNDS OF TEARS, SHED UPON EATING THE COLOUR OF COTTON ROSE, 2019 Acrylic on canvas 100 x 100 cm
      Yayoi Kusama
      CALLING FROM THE SKY, DOUBTLESS, TRANSPARENT IN ITS SHADE OF BLUE EMBRACED WITH THE SHADOW OF ILLUSION CUMULONIMBI ARISE SOUNDS OF TEARS, SHED UPON EATING THE COLOUR OF COTTON ROSE, 2019
      Acrylic on canvas
      100 x 100 cm
  • About the Artist

    Yayoi Kusama was born in Matsumoto, Japan in 1929. From her childhood experiences with visual and auditory hallucinations, she started to produce drawings and paintings of nets and polka dots. Through various obsessions, she developed her art philosophy of self-obliteration through compulsive repetition and proliferation of the single motif. Since the early 90’s, she has created outdoor sculptures and large scale installations using inflatables and lights, expanding her prolific world. She has held numerous solo exhibitions and retrospectives throughout the world. In 2016, she was bestowed the prestigious “Order of Culture” award in Japan. The Yayoi Kusama Museum dedicated to the artist opened in 2017 in Shinjuku, Tokyo.

     

    To learn more about the artist, please click here.

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